Earlier today I thought I'd relegate this new Attitude magazine photoshoot of Hawkeve and Prime Target actor Fra Fee to Bluesky (here) but that was when I just had two photos -- now we've got the whole thing and it demands an audience, it demands respect, it demands I throw myself on the floor its faithful servant. And here we are. If you're all like "Fra what, Fee who?" see we have posted about him a couple of times before -- the man got gay and naked with Leo Woodall for god's sake, of course he captured our attentioin. That said I should've done a little deeper.a dig (ahem) because apparently he's been out as a noted homosexual for some time and I had no idea! I learned that via the interview alongside these photos, and so we must now officially welcome him to the club. Which here at MNPP means -- leer. We will leer. Hit the jump for all of your welcoming leering material...
I don't know who that lucky chap standing with the camera is but down there under him is Alexander Skarsgård (hence him being a lucky chap) -- this is a set photo from Pillion that was included with a few others in a new Interview Magazine interview with writer-director Harry Lighton that I recommend reading! (thx Mac) Probably read it only if you've seen the movie already because I do feel like there are some spoilers contained therein -- and on that note, you know how yesterday I told y'all that Pillion is going nationwide on February 20th? Well I got an email today saying February 27th instead. SIGH. I am just the messenger! Okay? Don't take it out on me! I'm sorry! Anyway that aside there is some cool other news buried in that Interview Mag chat that I hadn't heard before -- apparently Lighton has written the script for History of Sound director Oliver Hermanus' upcoming bio-pic of the designer Alexander McQueen?? I did know that Hermanus was working on this project -- see this post from May of last year here -- but I didn't know Harry Lighton was writing, and has apparently now finished, the script. That's exciting! That said Lighton also admits in this interview that he's never seen a single Rainer Werner Fassbinder movie, and... Harry. Come over. We'll do a binge. I have such sights to show you...
(click to embiggen) Sorry I just needed to make sure this photo of Morgan Spector was posted here on the site. I have nothing to add... well I could add a "woof" but I'll spare y'all that. (No I won't. Woof.)
a piece of metal. I prefer to know my own strength.
Happy birthday to the incredible and formidable Katy O'Brian today! What a movie this is, and what a performance. I maintain that Edgar Wright's The Running Man would have been a far better movie if Katy had played the main character instead of Glen Powell -- and I'm not even a Glen Powell hater. I just think that movie needed an unexpected shock of energy that was missing and Katy would've given it that and more. I just wanted to wander off with the small thankless role she was playing whenever she was on-screen. So let's get her some action-hero lead roles stat. (In related, I need news on director Rose Glass too. After LLB and Saint Maud I will follow her to the ends of the earth.)
(click to embiggen) It was Moonlight actor Trevante Rhodes' birthday earlier this week and as a gift to the rest of us he shared this selfie yesterday on his Instagram -- good lord almighty can I get an Amen? More like "A Man" when Trevante's involved. "Can I get an A MAN???" Indeed. Anyway I was thinking about Trev before I saw it was his birthday and before I saw this photo because there was a movie at Sundance that was felt Moonlight-adjacent and I now really would like to re-watch Moonlight. It's been ages! Also -- where the fuck is Trevante? Where is my daily pile of fresh Trevante content? More roles for Trevante, you fuckers!
Give it up for Rock Hudson serving hard 70s porn coach in Roger Vadim's exceptionally bizarre 1971 movie Pretty Maids All in a Row. Anybody seen this? For some reason its name crossed my social-media a couple of times recently which i took as a sign to watch it. So I did that last night and, uhh -- what the fuck was that? It's basically Porky's as a giallo film... or perhaps a giallo film as Porky's is more apt. It's a broad sexploitation comedy where the high school teachers are fucking and murdering their students. Before you run out thinking, as I did, "Oh my god I have to see this!" please know it's not a "good" movie. For all the WTF-ery going down it's somehow still plodding and pointless and mean. It's 1971 so of course it's profoundly misogynistic but even so, having that expectation going in, it manages to seem extra gross. Angie Dickinson plays a teacher opposite Rock and you can tell she was just bone-deep exhausted having to play this role, which demands she be dumber than hair.
There's a proto-Heathers thing going on -- the movie's one great joke is about the school having a "moment of silence" for the murdered cheerleaders during the big game -- but I think that might be the only time it actually wrung a laugh from me. Probably the most fascinating thing is watching the closet-case Hudson get his Psycho moment, turning a big campus hetero-stud into a figure of menace. But to be honest the movie doesn't seem terribly interested in making his character legitimately scary -- you basically get the feeling that the movie's still on his side after it reveals he's the killer very early on, and that those sluts and bimbos really had it coming. And remember, do keep in mind -- this is all (in theory) being played for wacky laughs! Laughs that never land. Still (in theory) it's interesting, and we do get to see big strapping Rock Hudson walking through a locker-room full of stripping football players, and it co-stars Telly Savalas AND Roddy McDowell, and the movie is deeply obsessed with the unrelenting boner of its main character, who for some insane reason is named "Ponce de Leon Harper" (played by the unconventionally adorable John David Carson). If you're ready to be offended and bored by a nevertheless fascinating mess I suppose I recommend this. But also I warned you.
I promised y'all I'd try to keep an eye out for news on the release of Harry Lighton's "dom-com" Pillion as A24 has slowly, slowly, slowly drizzled it into theaters, and so here, an update -- they posted on the social-media-site-that-shall-not-be-named today that the film will be going "nationwide" on February 20th. Whatever "nationwide" means but one assumes it means "in lots more theaters than it's in now." I don't have a list of theaters but hopefully this means you can see it then! You should! It's great -- yes that's my cue to link to my review for the five-hundredth time. Now enjoy these Harry Melling photos -- and on that note over at Pajiba our pal Kayleigh wrote about Harry Melling yesterday and it's a good read. He's a keeper.
Today was a great day for all of us intelligent and beautiful Gregg Araki fans, as a whole bunch of news dropped with regards to the New Queer Cinema legend and icon seen above sandwiched between Pillion star Alexander Skarsgård and director Harry Lighton (oh what a wonderful place to be sandwiched). First came word that his Sundance film I Want Your Sex starring Olivia Wilde and Cooper Hoffman has gotten picked up by Magnolia Pictures! And they plan on releasing it... some time this year. The lack of specifics annoy me. Why not just do next week? I don't have anything going on next week. I can do next week! Pencil that in, Magnolia! Ahem. Anyway obviously we'll be refreshing the whole of the internet until we do have a release date announcement, making it so you can just keep refreshing MNPP for the news. I got you! The other big news is that he chatted with Variety today (thx Mac) about the forthcoming 4K restoration of his masterpiece Mysterious Skin -- we already knew that was a thing happening but now we have a new trailer...
... as well as a new poster, which I'll post down at the bottom of this post. In the interview Araki really gets into the depths of what he did in restoring the film and it sounds like A LOT and I'm not sure it all sounds necessarily "good" to me but we'll see. I will give him the benefit of the doubt. I'm always worried when these restorations aren't just clean-up jobs and the filmmaker starts talking about how they wanted to fix things they didn't have the money or the tech for before. He even specifically makes to make sure the point that he wasn't doing what George Lucas did to the Star Wars films but... it sounds like a lot of noodling so I worry. Like the one comparative screenshot they share...
... it seems like he altered the movie's iconic angled font? (The top picture is the old version, the bottom is the new.) I don't like that! That is not how the title is supposed to look! But, deep breaths, I will wait and I will see. Anyway the part of the interview that didn't stress me out was this thrilling tidbit -- the film's soundtrack will be getting a vinyl release! That's unimpeachably exciting news. And as for the poster, seen below, the great poster shop Posteritati here in NYC is promising they'll be selling this poster as well as a "limited alternative style" which I will be jumping right on -- I have a couple of signed posters they dropped when Araki's "Teen Apocalypse Trilogy" came out via Criterion that I cherish deeply. The one for Nowhere hangs over my bed!
I doubt I'm going to review it at this point but there was a hugely entertaining doc at Sundance called American Pachuco: The Legend of Luis Valdez about the activist turned movie-director Luis Valdez that you should keep an eye out for. I didn't know 95% of his story and it's almost Forrest-Gump-ian in the way it weaves through American Latino history... but of course, me being me, my biggest takeaway was a vivid remembering how many times I watched and rewatched his 1987 Ritchie Valens bio-pic La Bambaas a kid because of how extremely hot Lou Diamond Phillips & Esai Morales were in it. Good grief were they a formative pair! (And both of them are interviewed in the doc and they're still, almost 40 years later, hot af.) Anyway I haven't seen La Bamba is decades but as soon as this doc was over I went and grabbed Criterion's recent release and plan on revisiting it, but until then answer me an impossible riddle...
I was sold on a new Nadav Lapid movie right off the bat thanks to the name Nadav Lapid -- his previous films Synonyms, Ahed’s Knee, and The Kindergarten Teacher are all phenomonal. But then I watched this, the first trailer for his new movie titled Yes, and... I am even more sold. More even more. Extremely more even! This looks phenomonal and that was even before they sell it as...
A Radu Jude seal of approval? Fuck yeah. These are the world-class provocateurs of our moment, sign me the hell up. And to have a major artist from inside Israel making something this critical of Israel's ongoing genocide of Palestinians is uhh let's say welcome. The film stars Ariel Bronz as a musician tasked with writing Israel's new national anthem post-October-7th and it looks no holds barred. Thank goodness there are still real artists out here making real political art. This gives me hope for us. Watch:
Nobody loves a good time like former Chilling Adventures of Sabrina actor Gavin Leatherwood loves a good time on his Instagram, and over the weekend he posted two goofily gratuitous videos of himself going from goatee to spindly little mustache that shan't be lost unto the algorithms of time if I have anything to do with it! And I do because here I am once again wielding all the power of the world wide web to contain them! Hit the jump for them both...
If you were around here when Saltburn came out back in 2023 y'all know I loved Saltburn very very very much -- I also really liked Promising Young Woman (Carey Mulligan forever) and so I think it's safe to say that if the inevitable world civil war falls upon us and we're forced to take sides based on whether we like Emerald Fennell or not I will be one hundred thousand percent Team Fennell. I honestly think the people who get all bent out of shape about her are hella silly at this point. People get so angry about her! It's very weird! Anyway my side for the end times isn't switching now that Fennell's "Wuthering Heights" has landed -- I liked it a lot and my review just went up now at Pajiba so you can read all about it yourself. I'm not kidding when I say Jacob Elordi is really fantastic in this. He's really found his footing as an actor. The hunk thing we got previously, but actor-wise I'm fully sold now.
How does Louis Garrel just keep getting hotter? Every year some new part of me turns to dog-shit while he's out here making the word "distinguished" his bitch -- I'd say it's not fair but it's perfectly fair considering he got a whole Louis-Garrel-sized head-start. Anyway I first saw the above photo an entire week ago but I knew there'd be more so I practised extreme patience and we've been rewarded with this whole shoot for Financial Times, huzzah. (In the interview he talks about his upcoming movie with Angelina Jolie and Disorder director Alice Winocour called Couture which sounds extremely promising!) Hit the jump for all of the pretty man's photos...
Hello and happy Monday, readers. Coming to you mid-afternoon this day one of the week instead of the usual morning thingamajig because I had a screening this morning that I forgot I had until last night (see what it was here!) but otherwise let's just get on with it -- I've got another Sundance review up at Pajiba today -- click on over to read my thoughts on The Incomer, a sweet little dramedy starring Domhnall Gleeson that I enjoyed. As I previously mentioned there wasn't a lot that was "light" at this year's Sundance so I think this one felt like a big needed respite from all of the bad feels. Even as it dealt with suicidal ideation and feelings of isolation. You take what smiles you can find in 2026!
"I too quit smoking (2013) AND find this type of pictures cool. Also, PSA: if you're feeling like you want to start smoking again, just remind yourself "I do not want my body and house to stink like stale horseshit", then go drink one more glass of water to entertain your hands and lips. Congrats, btw."
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